You hope and pray that you'll get involved with a director that you understand and who has the same sensibility as you do and knows how to push you and bring out the best in you.

Stanley didn't shy away from true humanity or from the ugliness that all people are capable of.

You know what the problem is? You can't put a woman into a man's role. A women's journey in life, I'm not speaking disrespectfully of women and their roles in life, but a woman's journey in life is very different from a man's. That doesn't mean a woman can't do a man's job, but it doesn't mean that a woman should do a man's job the way a man handles it. The things that men question themselves about in life are quite different from the things women question themselves about.

I've worked with Robert Altman a couple of times too.

If you take 2001: A Space Odyssey as an example of somebody who creates a new language in film by what he was able to accomplish with art direction, photography, lighting, etc., it is still a gold standard for science fiction.

My father taught me to paint when I was young with watercolors and so I learned at a very young age the essential elements of the value of light and composition.

When you're young, you get by on charm and good looks, not that I miss being charming or good-looking, but then you start to understand things about life, about the craft of acting. You approach it a different way. It's much more fun now than it was, because you take more chances and risks. I enjoy acting now more than when I was young.