Stanley didn't shy away from true humanity or from the ugliness that all people are capable of.

For example, Michael Mann's film Collateral - there is certain kinds of stories that lend themselves to digital photography. Some things are very raw stories that digital photography kind of lends itself to.

I played Little League and in high school. I played more over the years whenever there was a pick-up game... usually softball.

So the thing that's beautiful about the Rolleiflex is that I open the camera up from the top and put my face in and that the camera's all about composition and all about light.

Imagine if somebody were to really sit down with Osama bin Ladin and say, 'Listen man, what is it that you're so angry at me about that you're willing to have people strap bombs to themselves, or get inside of airplanes and fly them into buildings?' That would be the miracle if we can get, sit down and talk to our enemies and find a way for them to hear us.

Photography is about light and what it does and how it is captured on a piece of negative.

The experience of using a Rolleiflex camera is very different than using a SLR.