I always thought that it was kind of silly that a baseball card could be worth so much money.

I've worked with Robert Altman a couple of times too.

It was the baseball fantasy of a lifetime - to be able to sit on the bench with all those professional athletes. I got to take my son along because I wasn't sure I would be able to play with them.

My father taught me to paint when I was young with watercolors and so I learned at a very young age the essential elements of the value of light and composition.

They don't have the news media set up in Africa that we do in the United States, where televisions are so accessible and newspapers and magazines are able to educate people.

When you're young, you get by on charm and good looks, not that I miss being charming or good-looking, but then you start to understand things about life, about the craft of acting. You approach it a different way. It's much more fun now than it was, because you take more chances and risks. I enjoy acting now more than when I was young.

There's a discipline. When you take someone's portrait, you don't have to take 50 photographs, just find that one so that when you release the shutter, that's the image that you took.