Mahmoud Darwish wrote that "extreme clarity is a mystery." That sounds right to me. I don't want anyone hunting for anything ancillary to the true mystery. If that means risking being thought of as glib or dull or banal or stupid or whatever, I guess that will just have to be the way it is.

Not that I play guitar anywhere near as well as she sings, but I think I have always had a tendency to play solos the same way, in emotional relation to the structure of the song. I choose simple lines, and only play what seems emotionally relevant, and often express that emotion in time, that is in play or resistance to the set time of the song.

I would like to try to write poetry that would do everything I wanted poems to do, but also be readable by any person. I didn't know if this was possible, but I suddenly knew, in that few-times-in-a-lifetime sort of way, that this would be my life's search.

I personally believe the role of poets as poets (which is something different from our obligations as citizens, community members, humans) is to write poems. I believe this because I am quite sure poetry can do something no other form or writing, or human activity, can, at least not in such a powerful and distilled and undeniable way. And that we need this type of thinking for our survival as individuals and as a species.

My own experience as a reader and writer has been that the more I read, and the more I live, the more different "types" of poetry I grow to love. I might not even believe anymore that there are "types" of poetry at all. I've come to love things I once would snootily have dismissed. Of course I still have my likes and dislikes, and there are things I think are just plain old bullshit, but more and more I am far more trusting of my loves than my dislikes.

I don't know if anyone has ever mentioned this, we need to be careful with drugs! They're not just all fun and games! And of course poetry would be immeasurably worse without humor.

That name, SUN BEAR, just sounds like an ideogram to me. Super resonant. By the way, this all might be related to Tomaž Šalamun's famous line, "Every true poet is a monster." Or why Richard Hugo writes that the imagination is a cynic. T