I think it started to feel like home when I stopped maintaining any pretense that I was ever going to be in the movie business. I went there like many writers - I had a screenplay deal and I would go to these meetings and it was the typical thing. And I hated it. I was not interested in writing screenplays, actually. But I kept feeling like that was what I was supposed to do. It was just this horrible cognitive dissonance.

What amazes me is when I see people in their twenties who have families or live a life that seems of a much older person. But that's such a demographic, a socio-economic, cultural, class thing.

There has to be insight born of hindsight. Otherwise, you're only confessing your sins and asking the reader to forgive you. And that is a complete misuse of the writer's power and unfair to the reader.

Being in the entertainment industry in L.A. is the equivalent to being in the publishing industry in New York. You don't ever have to hangout with anybody else.

No matter where they are or who they're with, dogs are incapable of being anything but themselves. Show me a dog that puts on airs or laughs politely at an unfunny joke and I'll show you a human in a dog costume, possibly one owned and licensed by the Walt Disney Company.

New York is such a special place. It's really intense for people because they live here when they're young. On top of the energy of the city there's a visceral experience a lot of people have because it's a time in their lives where they're just absorbing a lot. Things take on a significance that they might not otherwise.

There may well be a few extremists out there somewhere calling for a militant, women-only utopia, but why should this be the definition of 'feminist' when it's already the definition of 'silly'?