My mother died of metastatic colorectal cancer shortly before three P.M. on Christmas Day of 2008. I don't know the exact time of her death, because none of us thought to look at a clock for a while after she stopped breathing.

After all dying is one of the most profound and difficult experiences we have.

Much of Hamlet is about the precise kind of slippage the mourner experiences: the difference between being and seeming, the uncertainty about how the inner translates into the outer, the sense that one is expected to perform grief palatably. (If you don’t seem sad, people worry; but if you are grief-stricken, people flinch away from your pain.)

Grief is a bad moon, a sleeper wave. It's like having an inner combatant, a saboteur who, at the slightest change in the sunlight, or at the first notes of a jingle for a dog food commercial, will flick the memory switch, bringing tears to your eyes.

One of the ideas I've clung to most of my life is that if I just try hard enough it will work out.

A mother is beyond any notion of a beginning. That's what makes her a mother.

There are many kinds of loss embedded in a loss - the loss of the person, and the loss of the self you got to be with that person. And the seeming loss of the past, which now feels forever out of reach.