There's a whole language to movement and how you embody someone, and how you can use different techniques for different characters. I guess just posture, and the way you walk, and the way you physically are. All of that says a lot about who someone is.

There's a bunch of directors that I really admire, and Australian ones as well. It would be nice to do a film at home.

Yes, a lot of European cinema and a lot of independent films and art-house stuff. She is a photographer. She is a visual artist and photographer and my dad is, too. My mum, I must credit for showing me good films. With my career, my parents were great and though they were a little wary, maybe, of the acting ambitions they have always been supportive.

I love doing accents because it takes you one step away from yourself and allows you to embody someone else's character.

It was good but it was just a tiny bit uncomfortable because it was a day of lying in the bushes and I think I got a major muscle thing going on there! But it was good. It was fun. That is one of the things you get to do in film that you don't do, or that I don't do, in real life. I can't speak for Dermot [Mulroney]! But it was fun.

With dance, you learn to channel nerves into energy, excited energy.

I didn't shoot any guns then or when we did the scene with Uncle Charlie [Matthew Goode] and Evie [Nicole Kidman] in the hall. I sort of pressed the button but there were no blanks or anything in there because I think it was always going to cut.