There's a whole language to movement and how you embody someone, and how you can use different techniques for different characters. I guess just posture, and the way you walk, and the way you physically are. All of that says a lot about who someone is.

I've had a great experience with pretty much everybody I've worked with.

I really loved it because it really informed his way of seeing my character and the story. If you look closely he always had this metaphor of an egg, of a little chick pecking her way out of a shell, and in one scene in the kitchen there are all these white plates on a wall and then in the middle there is a yellow plate so even that looks like an egg. And a lot of the furniture was almost sculpted in that way as well. It was really cool to see that.

It's really rare to get a teenage role that resembles something of what it's like to be a young person, that isn't a cliché or a stereotype.

Director Park asking that if there was a pocket on one side of the piece of clothing then there should be a pocket on the other side. They were a little uncomfortable to wear, yes, because there were a lot of tight, high-waisted things so it was great at the end of the day to slip into some pajamas!

I always start a film thinking I know how to do it, then I learn all over again.

To have a creative outlet that you can control is really important because you do a lot of waiting to be cast, then waiting to go into production, and then waiting on set.