Someone once told me to believe 5 percent of what everybody tells you.

One of the producers, Wonjo, was an amazing interpreter. I don't think we really knew how it was going to work at the beginning. Yet it was something that a couple of days into it seemed so seamless and it wasn't something that we noticed or thought about. A couple of times I cornered him and forced him to speak English but we didn't speak much English at all. That said, I don't think anything was ever lost in translation. It was all very easy.

You never choose the way that you're raised, it's just the way that you were raised, but you do get to a certain age where you're in a position to question the expectations of you and the way that you've been formed by your surroundings.

I hate the feeling when I'm overseas, away from Australia, that I'm trapped, blocked by an ocean from getting to the people I love. That gives me anxiety.

It sounds corny to say, but it was really inspiring seeing kids that were just living and connecting with people. That was something I really understood, the need and want for connection, and fun, and it not needing to be sympathetic, just sort of good fun.

Ballet has really helped me in every acting role. You have to be very disciplined, you have to be able to control your nerves and perform under pressure, and all those things you have to use in acting when you're on film or going for an audition.

Yes, a lot of European cinema and a lot of independent films and art-house stuff. She is a photographer. She is a visual artist and photographer and my dad is, too. My mum, I must credit for showing me good films. With my career, my parents were great and though they were a little wary, maybe, of the acting ambitions they have always been supportive.