Dance has such an intensity to it. You become, in a way, an intense person.

There's a whole language to movement and how you embody someone, and how you can use different techniques for different characters. I guess just posture, and the way you walk, and the way you physically are. All of that says a lot about who someone is.

I think it's really important for actors to have another creative outlet, or for anyone, really.

I think that dancing has helped or prepared me, in a number of different ways, for the film industry, especially with controlling your nerves when you walk into an audition because you're on stage from a young age.

I think dancing is contributed hugely to how I am as an actor, just a level of comfort in my body and in movement. Things can become strangely physically technical when you're acting, and often something that just feels so unnatural is actually what you need to do in a certain scene.

It sounds corny to say, but it was really inspiring seeing kids that were just living and connecting with people. That was something I really understood, the need and want for connection, and fun, and it not needing to be sympathetic, just sort of good fun.

I really loved it because it really informed his way of seeing my character and the story. If you look closely he always had this metaphor of an egg, of a little chick pecking her way out of a shell, and in one scene in the kitchen there are all these white plates on a wall and then in the middle there is a yellow plate so even that looks like an egg. And a lot of the furniture was almost sculpted in that way as well. It was really cool to see that.