There are many movies that have done it very badly. The studios have gone for quick profits and audiences are feeling angry. People aren't taking the time and spending the money to do it right. I am.

You get the most 3D effect when it starts about three to four seconds, that's when it starts feeling 3D. And then what you do, quick shots are always flat.

When you're fast when you're shooting, there are great things that you discover. By being fast you also sometimes get more time to experiment.

I make movies for teenage boys. Oh, dear, what a crime.

There are things that I invented - the creaky geriatric robot that is always grumpy, for example, or the little wheelie guy, he's not in the Hasbro lore. But kids love that stuff - this little guy as a pet on a chain. They gravitate towards it.

Everybody knows about Pearl Harbor. The thing that really fascinated me is that through this tragedy there was this amazing American heroism.

A lot of directors don't want the pressure of a movie the size of Pearl Harbor. But I love it. I thrive on it.