I'd never been in one of those great big blockbusters.

The American cinema in general always made stories about working-class people; the British rarely did. Any person with my working-class background would be a villain or a comic cipher, usually badly played, and with a rotten accent. There weren't a lot of guys in England for me to look up to.

I was born Maurice Joseph Micklewhite. Imagine signing that autograph! You'd get a broken arm. So I changed my name to Michael Caine after Humphrey Bogart's 'The Caine Mutiny,' which was playing in the theater across from the telephone booth where I learned that I'd gotten my first TV job.

When you reach the top, that's when the climb begins.

I don't meet stockbrokers or carpenters or coal miners; I spend all day with actors, composers and photographers.

When I look in the mirror, I see someone who's happy with how he looks, because I was never one of the handsome Hollywood people. And I've had success as I've gotten older, because I'm able to play characters. I no longer get the girl, but I get the part.

I regard myself as someone who is retired but who occasionally goes out to work. In fact, I'm offered so much good stuff that it's not so occasional.