Comedy is to force us to observe ourselves in ways that are humorous and yet, at the end of the day, that cause us enough discomfort with the status quo to make a change.

When people are not sure about their future, when their economies are suffering, when their personal fortunes are flagging, we have often in this country turned to nativism and xenophobia and racism and anti-immigrant sensibilities and passions to express our sense of outrage at what we can't control - and to forge a kind of fitful solidarity that turns out to be rather insular - we look inward and not outward.

Bigotry is surely an exportable American commodity, especially when it comes to race.

I think that Michael Jackson, just as an entertainer, as a figure who embodies the contradictions of Black identity, and the possibilities of R&B music in the '70s and '80s will continue to be one of the most recognized and formidable human beings that we've ever produced in our tradition.

All Americans deserve an equal crack at what it means to be a - having - having resources in your own home and in your state and in your country.

White privilege allows a certain kind of leisure that can be deployed by white people of advantage toward our restoration. That's all true and good. But it also suggests that there is an individual approach to the issues that many of these white people have taken up as a recognition of their tie to and responsibility for some of the inequities that exist. And I don't think it has to be an either-or. I think it has to be a bifocal approach.

What are you for? It may be, to a degree, consoling that white brothers and sisters did not vote for [Donald] Trump, and do not participate in that brand of animus, that gas-bagging of enormous bigotry.