Light-skinned black people are seen to be closer to white people. The allegiance to lighter-skinned people has operated in a very destructive way that we have internalized ourselves inside black communities. You look at many of the prominent black people in this society who have been able to do well. Many have been lighter-skinned.

I think there's no question that Michael Jackson was the foremost entertainer of his generation; perhaps of all time, arguably, taking the skills of a Sammy Davis, Jr., bringing together the street dance of African American urban culture, joining them to the politics of dance, of Fred Astaire and Gene Kelly on that sphere alone.

The demonizing of black identity is much more of a global phenomenon than many would like to admit. I've traveled abroad extensively, and it's hard to ignore the subordination of darker peoples to lighter peoples the world around.

There's a great book about John Kennedy and his relationship to civil rights called 'The Bystander.' The title alone suggests that he did as little as possible, any minimal critical effort, to really facilitate civil rights in the White House.

There is a consciousness as an agent of one's own destiny as a person in America, there are things that can be done, there are advantages and benefits which exist that are directly related to - and even rest upon - white privilege.

The beauty of the literary art, the grappling with the black church, the wrestling with one's identity in the bosom of a complicated black community that was both bulwark to the larger white society as well as a threshing ground, so to speak, to hash out the differences that black people have among ourselves.

Tony Morrison said, 'Can't I love what I criticize, criticize what I love.'