That's very cool. Absolutely! You want to know where this guy came from, but you also want to know about the relationship between him and Quill, and how they ended up living together, for the last 18 or 19 years, without killing one another. He's a strong young man, and it's because of Yondu.

That's very cool. Absolutely! You want to know where this guy came from, but you also want to know about the relationship between him and Quill, and how they ended up living together, for the last 18 or 19 years, without killing one another. He's a strong young man, and it's because of Yondu.

It's a super super strange world when the actors are the less weird ones.

There's always room. That's what the directors usually want. They want the performer to bring themselves and give what they have to give for the role. The smart ones allow that to happen because then it becomes even more organic within the performer's imagination. It becomes even more real. It's not always a given in other films, but when Gunn works, and we all work together in a collaborative way like that, it becomes a given that you bring it. It becomes a lot of fun.

Well, I think that's been my career. I always choose stuff that's the same, yet different. These projects just happened. I didn't plan it out that way. I just happened to be free, and the director, Dan Pritzker, decided to do his film again. I say again because we did it seven years ago. A lot of the actors were not available, so he just couldn't wait anymore and he recast everything. Me and two other characters are the only people involved with the new one, who were involved with the previous one.

You know how it is, somebody will see your work and like it and remember it, then decide to make it a role in their film.

I got my training here in Chicago at the Goodman School Of Drama, and a lot of my personal work is usually internal work and stuff. Everything else that goes on is icing on the cake - your wardrobe, your makeup, whatever else you have to do.