You got to know what's worth keeping and what's worth letting go.

The most fascinating part of movies is the organism of the movie - it's such a bizarre thing to do, to make a movie. To see these people come together, band in unity, to create this thing that almost doesn't exist. It only exists because it's projected on a screen, but other than that, it's an illusion.

I'm just kind of odd. There are dark forces in the world, and if you pay attention to what's going on around you, you end up incorporating it into the storytelling. Maybe it's some aspect of myself that's coming through that people are seeing, that I am in fact a quiet psycho.

If you are only getting two takes and you are on a crazy set where there is a lot of noise and distractions and it is hard to focus - that is frustrating. But I don't mind two takes if there is a healthy respect with the work going on with the actors.

I know this'll sound obnoxious, but acting was very much an accident for me. I didn't have, like, posters of Marlon Brando in my bedroom when I was growing up.

When you put your costume on and you get your hair and your makeup done [for a role] and you stare in the mirror you feel like a different person.

I've never worried about anything in my life a fraction of the way I worry about my daughter. It's much more than hoping people like the play you're in, or that your outfit doesn't look bad. It's the real deal.