I think improv training really orients you to character development, more than taking a Strasberg class or Meisner class. Not only is it about developing character really quickly, but it's also about being a good partner in the scene.

I have been acting for over 20 years and I started in the smallest little theater that you can possibly imagine and then I very slowly built myself to this point. So it is never like there is this real sharp change or something that really startled me. It has just been very gradual.

Honestly, as hard a profession as acting is, I think music is even harder. Acting, you're like a leech, because someone else does the hard part for you. They write it for you, then the director tells you what to do. You really just need to know how to pay attention, follow instructions.

The thing that is always important to me is the relationships. I feel like until I get around with the actual people that I am going to be working with there is only so much that I can do.

I don't pick my roles by genre; that's kind of silly.

I certainly don't want to have too many pre-conceived notions before I show up because then you might be cutting yourself off from the real lessons of what is going on.

I think improv training really orients you to character development, more than taking a Strasberg class or Meisner class. Not only is it about developing character really quickly, but it's also about being a good partner in the scene.