I am a little bit of a foul mouth and I just like to give it back to people.

There is really not that much improvisation in my films. There is an acceptance of a chance.

Some of my films have caused riots, fights, and all kinds of things.

When you narrow down your range and are looking through just that narrow aperture of the lens, the intensity of what you see is so much greater.

To extend the depth of what has been called 'art' into photography requires... making available to the spectator the amazing transformations the subject undergoes to become the photograph.

I try to make each film a different film.

You have to act and this is something that happened in abstract expressionism too, it was a discovery particularly in De Kooning's paintings, great paintings. There's a lot of speed in his work and the speed produces things that only speed can produce.