Sometimes I'm confused by what I think is really obvious. But what I think is really obvious obviously isn't obvious.

I simply constructed a project to try to snap Kurt [Cobain] out of a frame of mind. I sent him a plane ticket and a driver, and he tacked the plane ticket to the wall in the bedroom and the driver sat outside the house for 10 hours. Kurt wouldn't come out and wouldn't answer the phone.

The world of WONDERLAND is authentic, vibrant, and genuine. Stacey D’Erasmo explores the delight and terror of second chances. A great read!

If I'm tired of me, I'm sure the public is as well.

I started lip-synching with "Losing My Religion." There were a few horrendous mistakes we made, but I own those mistakes. I'm embarrassed by them. I always say when I look back at anything I've ever done, it's with equal dollops of humiliation and triumphant glory.

The artwork for the record is kind of an homage to that. It's a collage, which rhymes with homage, I just realized. It's an homage to this kind of almost like a teenager's idea of what the future might look like, if he were using a Xerox machine and cut-and-pasting it together. Which is exactly what we did to come up with the artwork.

When I get really hammered I take my clothes off. That's a sure sign. It's been a long time since the last time I did that. Probably a year.