We're always trying to avoid being in the darkness, not knowing, and also encountering animals. There's something about them not wanting to be seen; they go out at night, they hide, they don't want to be shown. It's very interesting genetically that they have to hide from us actually. Between themselves, they smell each other, but there is this thing of hiding, of suspicion.

I carry some kind of consideration and weight and observations about what is going on in the world, but I don't go to execute it.

There's something about night and day, and life and death, but animals are also mentioned a lot of times in the bible, showing up in places of desolation, or after destruction, or after the humans left the place, suddenly they would show up.

I like Palestinians in the morning when they come and we talk but in the evening, who knows, maybe they don't know that I'm nice.

I go and film 50 people in Israel, 50 people in Russia, and 50 people in Romania, in Paris, because I really like to get some particles of something real.

I usually go to bed early to read. I read and I always say that I'm not a "bohemian artist;" I need to read for one or two hours in the evening, and the quiet, so I don't hang out a lot.

Animals are always goddesses and gods, like the god Anubis. He's the one who's accompanying the souls to the next life, and he's the one who decides if they will be able to cross or not.