One gets used to success very quickly. The surprise was how deep and enduringly I was touching people, in such different places and throughout generations.

I think that stereoscopic 3D will have to continue to develop. It's still quite archaic because of the glasses you have to wear.

Before my commercial success, I had difficulty doing what I wanted, but my sincere short films always won prizes in festivals. So I was ready for larger successes.

I'm never really nervous because I've done the maximum; now it's up to the audience to do its job.

I'd never make a film that I am not passionate about. My whole life, I've only made the films I wanted to make, even when I had limited means.

I'm a sorcerer because I start with nothing, and then, eventually, there is something. And I touch you, I move you, I make you laugh or cry, and you believe in what's happening on the screen, although I always show it's invented.

If I need something, I just draw it, have a few friends make it move, and it exists. I enjoy this strange power. I try to be a good sorcerer, though.