I'm never really nervous because I've done the maximum; now it's up to the audience to do its job.

Digital is expensive, from the computers to the professional software to the technicians, but digital helps me to create more beautiful images in less time.

Kids in different countries know my movies by heart because they've seen them so many times. And wonderful returns never stop.

I've always felt that I've made films, period. I wanted to leave the "ghetto." And here I am, I'm out.

Fairy tales have a hidden power, and their appeal never ends. They're the best way to get messages across.

For me, the stereoscopic imagery was a new game to play with. Surprisingly enough, it's also a return to tradition. I'm back with paper-looking puppets moving about in several layers of theatrical backgrounds.

If I need something, I just draw it, have a few friends make it move, and it exists. I enjoy this strange power. I try to be a good sorcerer, though.