If you listen inside, the brush will want to run toward a color. What you really need and want is very close, and the brush goes to it quickly if you don't think.

If you listen inside, the brush will want to run toward a color. What you really need and want is very close, and the brush goes to it quickly if you don't think.

When a seed sprouts, it's a violent process. The skin breaks and splits in two. Something dies and something is born. Anytime you paint a strong or violent image, you may be expressing that part of yourself that's opening in order to let the new emerge.

What I want people to realize is that there is enough inside them, that everything that they really need in order to feel a sense of aliveness and creativity is already inside. And not only is it inside them, but if they allow it they will have an interesting life.

To play is to listen to the imperative inner force that wants to take form and be acted out without reason.

Painting for process is the visual equivalent of journal writing, done not for the sake of being seen or published, but purely for the telling itself.

We have within us enormous reserves of trapped potential. Our natural urges have been so constrained by the accommodations of living that we each have a smoldering volcano just below the surface. To enable this force to erupt in a healthy, open, and positive manner is a momentous act.