I don't return anybody's calls unless it's going to mean extra money for me. And I've completely cut off all relationships with any friends that I had before the show. And I've copped an attitude.

When you make movies, you've picked the most expensive art form, and somebody has to pay for it. You kind of owe it to them to at least let them know how you expect to make it as accessible to as many people as you can, given the story you're telling.

I probably drive casting people crazy because I'm not thinking about actors so much as real people.

I often feel that my life, much like my shows, will end on a cliffhanger.

When you work for other people you'll find ... that they do know what's best for them, and for the company. And you should listen to them and be respectful, but they don't know what's best for you.

One thing I was thinking about is that they probably get their come-uppance about the same percentage that people in real life do. Basically, stealing for all practical purposes might as well be legal in New York.

I went to a Catholic high school and it seemed like every time I drew something for a class project, it either got thrown away by the teacher or something.