When I worked in those offices, it was just irritating to me that somebody sat there and designed this place, never thinking that you would walk from here to there, and they didn't care. The one guy designs it, gives it to the other guy, he looks at it; no one thinks about all the people that gotta walk through it. So I think the best way to show those banal moments is to be just flat and wide.

It's amazing what we can get away with and what we can't. But it's not for me to decide.

I went to a Catholic high school and it seemed like every time I drew something for a class project, it either got thrown away by the teacher or something.

I often feel that my life, much like my shows, will end on a cliffhanger.

There was a time when cell animation was poison, but after Family Guy now everyone wants it.

I probably drive casting people crazy because I'm not thinking about actors so much as real people.

One thing I was thinking about is that they probably get their come-uppance about the same percentage that people in real life do. Basically, stealing for all practical purposes might as well be legal in New York.