I notice that a little bit at The Office, with, like, an actor: If I decided there'd be a certain way in the script, it would still seem open-ended, whereas ... if I was a man I would not have seen that.

Albums that remind me of my childhood happiness make me incredibly sad now.

To put it kindly, I am a very talkative, social person. To put it less kindly, I’m a flibbertigibbet, which is what my frenemy Rainn Wilson calls me.

I don't have very much time to surf the net, because it's as though my boss has a tracking device on me. The instant I'm looking at a Chloe sweater on Shopbop, I'll get a call in my office with a PA asking: "Paul wants to know where you are and why you're not in the writers room, and if maybe you're online shopping."

I feel lucky because I was a nerd, which I talk about in the book, but I had academic success, so through that, because that's what my parents put a great deal of value on, I had a great childhood because I sort of fulfilled the expectations of being good at school.

Because confidence is like respect; you have to earn it.

Twitter is the most amazing medium for a comedy writer. I can't get in every idea I want on the show no matter how hard I try to bully the other writers, so it's a way of me getting out other comic ideas and immediately getting feedback.