My dream of course, as a writer and a person who's an entertainer, is: Grow up to be Mindy Kaling, don't grow up to be Mindy Lahiri.

The chorus of “Jack and Diane” is: Oh yeah, life goes on, long after the thrill of living is gone. Are you kidding me? The thrill of living was high school? Come on, Mr. Cougar Mellencamp. Get a life.

I'm an A student. I'm addicted to feedback, and I want to please people. That's sort of how I've gotten to where I am.

My version of an Irish exit has an air of deception to it, because it includes my asking loudly, “Where’s the bathroom?” and making theatrical looking-around gestures like a lost foreign tourist. But then, instead of finding the bathroom, I sneakily grab my coat and leave.

There are little Indian girls out there who look up to me, and I never want to belittle the honor of being an inspiration to them. But while I’m talking about why I’m so different, white male show runners get to talk about their art. I always get asked, ‘Where do you get your confidence?’ I think people are well meaning, but it’s pretty insulting. Because what it means to me is, ‘You, Mindy Kaling, have all the trappings of a very marginalized person. You’re not skinny, you’re not white, you’re a woman. Why on earth would you feel like you’re worth anything?’

Why didn’t you talk about whether women are funny or not? I just felt that by commenting on that in any real way, it would be tacit approval of it as a legitimate debate, which it isn’t.

I worship makeup. The basics are always: Stila shadows, LeClerc powder for my crazy shiny skin, Bobbie brown liner pot, Chanel mascara, and Koh Gen Do for foundation, Nars for colors and sparkles.