Colored leather is my favorite. To me, there's nothing more fun than wearing a cobalt blue leather skirt or a fuchsia leather jacket.

The way that TV is set up is very helpful for when a show comes to an end because as an actor, you've got acting, but as a showrunner you still get to edit for three months and after that ends you get to do a sound mix. So, as a writer-performer in television, it's a very nurturing, gradual environment to say goodbye to a show.

There are little Indian girls out there who look up to me, and I never want to belittle the honor of being an inspiration to them. But while I’m talking about why I’m so different, white male show runners get to talk about their art.

It's weird: I was in a conference room, shouting out story ideas in the voices of different characters, and it was something I had to learn because I'd never been in that atmosphere. But I think I had a quick learning curve, because this is the job I was supposed to have.

I’ve worked in television for 10 years straight. If I were a man, it wouldn’t be considered strange [to have confidence] at all.

I feel like the high-concept shows that have some kind of gimmick tend not to be the hit classic shows of all time.

I worship makeup. The basics are always: Stila shadows, LeClerc powder for my crazy shiny skin, Bobbie brown liner pot, Chanel mascara, and Koh Gen Do for foundation, Nars for colors and sparkles.