I think as women, you know, if you are considered a pioneer in these things, you can get really distracted by these other things - you know, people's demands of you reflecting on your otherness. And for this white critic to say, "I don't understand why she doesn't do that" - and you're like, "It's because I'm running a show on a major network and I want the show to continue" - and to sort of guilt me.

When you're "East Coast" person, you are so insufferable, and you have no idea. And I was. One, because I was miserable, and nobody liked to be around a miserable person, and two, everything that I thought was so profound, everyone had already dealt with.

I can't have a big breakfast or a big lunch because I get very lethargic, and then I get really cranky. I eat, but I have to eat small, healthful amounts of food.

When I was growing up, I didn't do plays in downtown Boston, and my parents weren't putting me in auditions. They never thought, Oh, she has a gift! They never thought of me as an entertainer when I was a young kid.

I think I've always wanted to be a role model, and I think ... everyone should try to live their life like they'd like to be a role model. I think it's like the thing keeping me out of jail.

I was always a silent comedy nerd. I would stay up late and sneak downstairs to watch 'Saturday Night Live' and 'Kids in the Hall,' and things like that. Very early on, my parents realized that I was not going to be an engineer or a doctor. I just don't have those inclinations, at all.

When I've acted, and it's not been something I've written or have had at least a hand in writing, I do think there is a controlling side of me that is frustrated by that. And I actually don't think that it's a bad thing, because if I'm going to be in movies, in large part they're going to be movies that I write.