When I've acted, and it's not been something I've written or have had at least a hand in writing, I do think there is a controlling side of me that is frustrated by that. And I actually don't think that it's a bad thing, because if I'm going to be in movies, in large part they're going to be movies that I write.

I think sometimes people think cheerful is a synonym for dumb, so no one is ever cheerful.

My version of an Irish exit has an air of deception to it, because it includes my asking loudly, “Where’s the bathroom?” and making theatrical looking-around gestures like a lost foreign tourist. But then, instead of finding the bathroom, I sneakily grab my coat and leave.

I'm the kind of person who would rather get my hopes up really high and watch them get dashed to pieces than wisely keep my expectations at bay and hope they are exceeded. This quality has made me a needy and theatrical friend, but has given me a spectacularly dramatic emotional life.

I guess nothing puts a damper on a one-night stand as much as your friend pointing out all the opportunities where you might have been killed.

I don't have very much time to surf the net, because it's as though my boss has a tracking device on me. The instant I'm looking at a Chloe sweater on Shopbop, I'll get a call in my office with a PA asking: "Paul wants to know where you are and why you're not in the writers room, and if maybe you're online shopping."

Everyone has a moment when they discover they love Amy Poehler.