I always wanted to write, even before I realized that there was a comedy writers' world, or what that life was like. I never thought of myself, at least as a little kid, in terms of being the onscreen talent. I always thought it'd be so much fun to write sketches and be a writer. Even as little as 6 or 7, that's what my main interest was.

I love telling press the designers I'm wearing, especially if they are emerging. That's exciting to me, supporting talented newcomers.

He was so popular you could barely look at him without being blinded by cool.

Even in my revenge fantasy where all I do is exercise, I can still do only twenty-five pull-ups. Pull-ups are tough, no joke.

I’m not complaining about Romance Being Dead - I’ve just described a happy marriage as based on talking about plants and a canceled Ray Romano show and drinking milkshakes: not exactly rose petals and gazing into each other’s eyes at the top of the Empire State Building or whatever. I’m pretty sure my parents have gazed into each other’s eyes maybe once, and that was so my mom could put eyedrops in my dad’s eyes.

I regard romantic comedies as a subgenre of sci-fi, in which the world operates according to different rules than my regular human world.

Here's my feeling: For everyone, men and women, it's important to be a feminist. It's important to have female characters. It's wonderful for women to mentor other women, but it's just as important for women to mentor men and vice-versa. In my line of work, having Greg Daniels be such a great mentor to me is fantastic. Finding a writer's assistant, be it a man or a woman, and encouraging them to think with a feminist perspective, is key.