Violence has not really been an issue. Even in my wildest hopes, I wasn't trying to get violence in.

I've never had a working relationship like I have with them. I developed a lot of the design of this show with them. That conversation was about, "What are your needs? What are you looking for? Will this work for you guys? Will a show work where you've got one episode per character?" They really were a creative partner.

We will be looking at things like the confluence of a scene, and we still have all these creative decisions to make. In general, we're going to just try to make these under a half-hour. We're going to try to take that kind of cable TV comedy model.

Regret is a tricky word. Here's a big secret: nobody knows what wasn't.

I joked recently that I thought 30 seconds a day for three years would be the best way to enjoy it, and I'm going to stand by that statement.

We mapped out the whole movie, and then worked backwards from that to do these shows. It might not be a movie. It might be something else.

One of the great things about TV is the story to tell can be very internal and really character-based.