There's a lot that you can do in television that you can't do with a film, theoretically. At the time, the only possibility was to do a movie.

At the time, I used to say, "We should market this like Everybody Loves Raymond. It's just a guy dealing with his family." Instead, it was irresistible to show all these funny people. So, I actually think this could be more inviting to a new audience because they can just watch one character, find out what's going on in his life, and then meet another character and find out what's going on in her life, and then see how it intersects the other one.

The people that always impress me are the ones that are curious about what they're going to do next.

The more constraints I have, the more opportunities I have to be creative to fix those constraints.

There's a lot that you can do in television that you can't do with a film, theoretically. At the time, the only possibility was to do a movie.

I always feel funny when I don't reveal things, especially to you [the press], who have supported us so much and are really the big reason we're here. But, we hold back information about the plot because we want to reward the fans for sticking with us, and that's so much fun. That's the funnest part of it.

My knee-jerk is that it is comedy and, if you watch them all back-to-back, you will gain something and you will lose something.