I think I've always been drawn to the second person. When I was growing up and playing with my friends, the usual way we interacted with imaginary worlds was as characters: a bench was 'your' boat, leaves on a lawn were the fins of sharks out to get 'you.'

My dad had this outlook: It doesn't matter what I want to read - reading was a good thing. So whatever I was curious about they'd get for me from the library. Books were a kind of a resistance to reality. I liked to imagine worlds that were different. I still do.

I'm often surprised that, you know, you encounter all types of humanity. And very often, there are some very decent people who don't stereotype even when you might, in your own mind, have stereotyped them to think that they will.

India to someone who lives in Lahore is like Queens to someone who lives in Lower Manhattan - it's not far away, and yet it doesn't exist.

Novel writing is the slowest art form in the world. It is not a sprint. It is not even a marathon. It is a series of marathons that stretch over and over across a continent.

And I ask myself what it is about me that makes this wonderful, beautiful woman return. Is it because I'm pathetic, helpless in my current state, completely dependent on her? Or is it my sense of humour, my willingness to tease her, to joke my way into painful, secret places? Do I help her understand herself? Do I make her happy? Do I do something for her that her husband and son can't do? Has she fallen in love with me? As the days pass and I continue to heal, my body knitting itself back together, I begin to allow myself to think that she has.

I think writing is a very political act. I think that any writer who says it's not, is simply a writer who is disavowing the political connotations of what they write.