I think writing is a very political act. I think that any writer who says it's not, is simply a writer who is disavowing the political connotations of what they write.

The ethnocultural connotations of the burkini ban are very strong. It's as absurd as mandating that women have to go topless on the beach. If I were a woman, I definitely would not want to wear a burkini or a headscarf. But it's not about what I want.

The animosity between India and Pakistan is deeply unfortunate and dangerous, and it's something I've long campaigned to reduce. But right now, when there's artillery being exchanged in Kashmir - which is not for from here, either - and there are 100-ish nuclear weapons on each side of the border, there's never really been a case like this where two nuclear armed countries are happily shelling each other.

How many big businesses don't resort to underhand means?

I am a strong believer in the intertwined nature of the personal and the political; I think they move together.

I think there's really strong social stratification in South Asia.

Certainly, historically, there has been more attention given in the international media to Indian English-language writers than to Pakistani English-language writers. But that, in my opinion, was justified by the sheer number of excellent writers coming from India and the Indian diaspora.