I felt like if I could get the epiphany out of the way in my drafting process, through my eighth or tenth draft, then that can just be part of how I've assembled the character, and then we can move on and move forward with it. In general, I don't ever want to feel smarter than my characters, because I just feel like that's not a great way to write a story.

The Israel stories were really hard for me to write, because I think that my book is very much about politics, but it isn't political. It really was important for me to not have a political agenda at all, because I have a hard time stomaching any political fiction that feels message-y.

With the Israel stories, it was for me the most surprising way the title would fit in. I kept thinking about, for a lot of my Israeli characters, what it was like to inherit such a complicated and symbiotic relationship to America and to feel how tangled that is, and it's nothing that they chose to do themselves.

I knew that I was writing for an American audience and that if I sold foreign rights, they would retranslate the book to make it make sense to that language. But one thing that was really important to me was not to italicize any of the words in the languages that were in the stories, because I feel like those foreign words felt just as important and integral to the story as everything else, so I wanted it all to just exist as its own thing.

For so many of my characters, they were political in their own countries and they risked their lives for certain political beliefs that they had, only to be brought to America where they're not treated like Americans - they're just not really treated like anything.

Years ago I read an interview with Paula Fox in which she said that in writing, truth is just as important as story. Reading that interview was the first time I really understood that there's no point in trying to impress people with my cleverness when I can just try to write honestly about what matters most to me.

So if there was a way that I knew something about my character's desires or the things that they were resisting because I was saving it for some grand epiphany moment for my readers, I just feel like that's when you can feel the machine at work in a story. That's when you can feel the writer pulling the strings of the puppet.