[Madness] happened so frequently. I think what I was most maddest about - and it's in the book [Speaking Freely: A Memoir] - when the House and the Senate, back in 1984, were debating a bill that would - at least delay and maybe stop some of the ex - summary execution of disabled children - infants. And the Down syndrome kids and other kids had been, in some cases, routinely let die, to use the euphemism.

When the ACLU took my case and we got a ruling I think, for the first time, they could - the Congress could put out the report internally but they couldn't put it out at taxpayers' expense around the country. And I felt odd about that because I, in a way, I was interfering with free speech, but then, you can't always win.

Miranda [Hentoff] is a complete musician. She's a composer, a singer. She writes scripts along - with her projects. And she's a superb teacher. Her teaching pupils have ranged from Itzhak Perlman to Sting.

Martin Williams persistently gets at essences, and that is why he has contributed so much to the very small body of authentic jazz criticism.

I had not been very kind to J. Edgar Hoover. And the field agent had written on - it was sent directly to Hoover - that - the director should see this - `And, besides, Hentoff is a lousy writer.' And I thought that went a bit far.

I wrote the column. I - you know, - the column simply said that [Clay] Felker is destroying this paper. And I heard that he was about ready to fire me, but two other people on The Voice interceded and, fortunately, he had a very short attention span, so I wasn't fired.

In fact, we have never had more invasions of privacy than we have now [with Barack Obama].