[I wanted] to play the clarinet well so I could be in Duke Ellington's band, but that's now impossible.

I know [Arthur Koestler] fought in the Spanish Civil War. He was in prison, I think, in Spain and in Russia. He came to the United States; that's when I saw him in the mid-1940s.

I'm working on "Living the Bill of Rights," and it's about people - well, it starts with Brennan and Douglas as people who not only live the Bill of Rights, but try to shape the reason for that.

In the recent Virginia election, the black vote diminished. Now why was that? I think a lot of black folks are wondering what this guy is really going to do, not only for them but for the country. If the country is injured, they will be injured. That may be sinking in.

I am optimistic. I have to be optimistic.

I read like everybody - like every other writer.

I got Joan Baez to talk and Alan Ginsberg and some of the guys in the band. And by the end of the piece, another emissary came and said, `Bob [Dylan] is willing to speak to you now.' And I said with great pleasure, `No, thanks. The piece is over.'