Tom [Hentoff] - it started when he was the editor of the paper at Wesleyan and the - members of the staff. This was the first wave of political correctness. The editors of the staff members came and said he must - he must, from now on, stop using `freshmen' and - in-as part of the policy of the paper. It had to be `freshperson.' Therefore, you don't - you're not discriminating against males or females. They were very fervent about that, and he was equally fervent about not politicizing language. So until he left, `freshmen' stayed.
Nat Hentoff[My wife Margot] was the - I guess, the coordinator or the production manager [of The Jazz Review], and we got to know each other and we married.
Nat HentoffAmericans have only the dimmest notion of what their constitutional freedoms are - and what it took to get them...[and] the willingness to surrender what we're supposed to be fighting for is a recurring part of our history.
Nat HentoffYou have to be careful about what you do, about what you say, and that is more dangerous than what was happening with [John] McCarthy, but the technology the government now possesses is so much more insidious.
Nat HentoffThe most recent example and the most, I think, appalling example was when Martin Peretz, the owner - and I stress owner - of The New Republic fired a journalist who I think was uncommonly skilled and full of integrity and passion and all that stuff. But he had criticized regularly the former pupil and friend of Martin Peretz, Al Gore, so he was fired. That's contrarianist that went around - that did - that was not rewarded.
Nat Hentoff