The Voice has been politically correct in many of its aspects since before that term was ever used.

When I first knew Bob Dylan, he lived in the Village. And for a man who, years after, would disdain publicity or any attempts at interviews, whenever I'd write something about him, he'd be on the street corner saying, `When's it going to run? When's it going to run?' But I must say that album that was - it was the second album he did, and though I've never been a fan of his guitar-playing, he did - I have to admit, he did catch the Zeitgeist of the time.

This book, "Speaking Freely," starts when I came to New York. And the first chapter is about a man who became a friend of mine, much to our mutual surprise, Malcolm X.

Tom [Hentoff] - it started when he was the editor of the paper at Wesleyan and the - members of the staff. This was the first wave of political correctness. The editors of the staff members came and said he must - he must, from now on, stop using `freshmen' and - in-as part of the policy of the paper. It had to be `freshperson.' Therefore, you don't - you're not discriminating against males or females. They were very fervent about that, and he was equally fervent about not politicizing language. So until he left, `freshmen' stayed.

In that respect, Martin Luther King, whom A.J.[Muste] advised in the civil rights movement, was also a radical pacifist.

I think Obama is possibly the most dangerous and destructive president we have ever had

The immigration bill - the new immigration bill - [Bill Clinton] has stripped the courts, which Congress can do under the leadership of the president, so that people who had a right to asylum or to petition - for asylum who were legal residents are now unable to go through because that part of the bill has been taken out.