I found out - the paper used to go to bed on Tues - on Monday. I found out that on Monday nights, the editors would cut out - literally cut out passages, sometimes whole paragraphs, of some of the writers that might possibly offend blacks, lesbians, gays, radicals. And I wrote a couple of columns about that. And they're - of course, they were annoyed that I had written about it, but, I mean, it - another example - and [my wife Margot] always also conjured that.
Nat HentoffMargot [Hentoff] used to write regularly for The Voice, for The New York Review of Books, for Harper's Bazaar, and she really had the most distinctive writing style, even more than mine, than I've ever seen in this business.
Nat HentoffAfter [Bill Shawn] was fired, I was going to the YMHA [Young Men's Hebrew Association] on the Upper East Side to do a talk on free speech.I went into a coffee shop to get a piece of pie and a coffee, and I was reading a paper and I hear a voice. And it was -it was not a voice I was familiar with, but I looked across the table and I saw Lilian Ross.And sitting next to her was William Shawn - no tie, needed a shave. His voice was kind of coarse and rather loud. He wasn't drunk, but I was just stunned.
Nat Hentoff