We're getting caught up with labels: "Nudity: bad." It's not about "nudity: bad." It's about gratuitous oversexualization of children; it's complicated.

I think the thing about Anne Boleyn is there is an exotic quality to her. This is a woman who wasn’t raised in the English court. She was in the French court and Hapsburg court. She has a continental exotic quality to her. She’s quite a fiery woman and incredibly intelligent. So I think Anne really stood out – fire and intelligence and boldness – in comparison to the English roses that were flopping around court, she would’ve stood out. And Henry noticed that.

Perfect is very boring, and if you happen to have a different look, that's a celebration of human nature, I think. If we were all symmetrical and perfect, life would be very dull.

I was a very physical child... I was a tree-climber; I was a tomboy.

Cersei took so many of us out in the last episode and she's really turned dark; even Jaime Lannister can see that, so I don't think that Cersei Lannister is long for her Westeros world. I hope she's not.

Actors have this amazing skill - we bond quite quickly but equally we move on quite quickly. There's nothing particularly cold or capricious about it - we're troubadours and lead a troubadour's lifestyle.

That's part of what I touch on in my [UN] speech - when assaults happen on women and girls in these fragile countries, in these places of crisis, there isn't the psychosocial support. There aren't counseling services. It's not in a lot of cultures to explicitly talk about things that maybe have happened to the body. So, repression of emotion, and shame, and guilt is something that really needs to be handled in humanitarian crises.