Famously, Anne Boleyn was not a beauty: she was more about quirkiness and an innate sensuality, and there are a lot of references to her eyes. Which sends out a great message for women, because life is not about the aesthetic all the time.

You're watching us and you don't realize how much makeup and how much lighting is involved when we look good. We have a lot of help where we are. I don't think that it's healthy for young girls to be looking at these beauty magazines and watching TV and these shows and thinking [that's the standard]… there's more European attitude - you look at French film, Spanish film, they're a little more open to quirks and human nature. That we're not all symmetrical, not all the same shape… we need more of that.

Cersei took so many of us out in the last episode and she's really turned dark; even Jaime Lannister can see that, so I don't think that Cersei Lannister is long for her Westeros world. I hope she's not.

I started writing it, because it was seven years ago. But yes, that is the genesis of why I started writing.

When a show communicates on such a vast level internationally, you know, and philosophizes about power, gender politics, and crimes against humanity, which Game of Thrones deals with all those things, then I'm just grateful that it reinstates my faith that art can be life applicable.

I meditate but not regularly. I wish I did more meditation. It's always my New Year's resolution to do more.

The Tudors”) “I walked away thinking, well, if I don't get the job, it doesn't matter - I've kissed Jonathan Rhys Meyers!