I think the thing about Anne Boleyn is there is an exotic quality to her. This is a woman who wasn’t raised in the English court. She was in the French court and Hapsburg court. She has a continental exotic quality to her. She’s quite a fiery woman and incredibly intelligent. So I think Anne really stood out – fire and intelligence and boldness – in comparison to the English roses that were flopping around court, she would’ve stood out. And Henry noticed that.

It's wrong - everyone's concentrating on the wrong thing. There's 130 million people in crisis in this world at the moment, in humanitarian crisis, and most of them are women, more than half of them are women. So can we all stop slinging mud at each other about definition?

That's part of what I touch on in my [UN] speech - when assaults happen on women and girls in these fragile countries, in these places of crisis, there isn't the psychosocial support. There aren't counseling services. It's not in a lot of cultures to explicitly talk about things that maybe have happened to the body. So, repression of emotion, and shame, and guilt is something that really needs to be handled in humanitarian crises.

It's a writer's or director's role to be cerebral, whereas for an actor it should be a visceral, gut thing. When the action starts, it's best to turn the brain off and let it become an instinctual thing.

I was a very physical child... I was a tree-climber; I was a tomboy.

You’re adored and you’re talented and the world is waiting to see the results of hard work for the last year

You can be a good human being and just be shrewd.