Trying to convince someone that they are a racist or they have White Privilege - if it's in the air they breathe and the culture supports them, sometimes they never have to think about it at all.

I'm trying to transform behaviors and ideas that have never been challenged in certain ways in my life. I'm not the kid that I was at 19.

Race I've been studying since I knew there was a problem with race and that I was Black and something was wrong. Gender, is very new to me. All I can say is this is something that I'm going to take hold of and pray about it.

A lot of those old ideas are dying with the people who created them, and there's this new generation of filmmaker that's saying, "We're in this together, these are issues that we all deal with, let's just present issues to screen without bias and figure out what the audience has to say about them."

I think Jesse [Zwick] is part of a new generation of director, because we'd be kidding ourselves if we did not acknowledge that there is this unsaid rule that the hero looks a certain way.

At 19, if a woman said no, no meant no. If she didn't say anything and she was open, and she was down, it was like how far can I go? If I touch her breast and she's down for me to touch her breast, cool. If I touch her lower, and she's down and she's not stopping me, cool. I'm going to kiss her or whatever. It was simply if a woman said no or pushed you away that was non-consent.

How many films are there about friendships between teenagers? And how many projects are there dealing with friendships among adults? True friendships - really dealing with the intimacy behind what happened then, and how long you've known each other, and the wounds that haven't healed. That's what [About Alex] film is about.