What interests me when I'm writing is being able to crawl into a character's head and speak from his or her mouth. It's not pulling the strings on a marionette, it's not playing ventriloquist, and it's not mimicry. It's about inhabiting a character, and, at the same time, being totally unaware of what you've become.

I think books can cure cancer and grow back hair. I can't say it enough. For me, that's why it's so syrupy. It's both syrupy and over the top, and overly sincere, and also dead true. What else can I tell you? A writer can't catch a cab half the time, but when there's a demagogue, when there's a government that wants to suppress, there's a reason that writers end up getting in trouble. It's such a subversive form that can really change people.

I was thinking a lot about myself and my own super inextricably Jewish boy link with my mother. I felt like even a Jewish spy would have this relationship, so yes, I was very much exploring this relationship of boys and their mothers, and Jewish boys and their mothers. Exactly that, the ridiculous lengths that a doting mother will go for her son, and the ridiculous lengths that - I will pretend this is distanced from me - the ridiculous neediness of a grown man for a mother.

You cannot learn to curse like an American.

I sometimes think about that, when I finish in something big I find it even hard, I feel like I lose an actual noticeable percentage of my reading time. Even on the reader end I find it so hard when a book that I love so much ends, to find the kindness to enter into a new one. Do you know what I'm saying? To find my way in, I feel like even there's that space after. I just love inhabiting a book that hits right.

I feel like people who become writers are people who have been saved by books.

I'd much prefer my books to shoes...In the summer I sometimes take walks without shoes but never without a novel.