I've done plenty of daredeviling - from white-water rafting to bungee jumping. But I think the most fearless was hosting the Emmy Awards. It was overwhelming, and I definitely had to leave fear at the door.

But magic is like pizza: even when it's bad, it's pretty good.

The makeup [for Count Olaf] took about two and a half hours every morning. The meditation was another hour and a half. I would eat a big breakfast - that was probably 45 minutes. And then it was lunch.

I feel like I know where I'm going. And I like where I'm going.

It's good to have a lot of once-in-a-lifetimes in your lifetime. If you get the chance to skydive, go skydiving. If you're offered a part in a weird Shakespeare play in San Diego, slap on some tights and rock out some iambic pentameter.

Playing a villain was fun, only because you get to do all the things you wouldn't normally do in your real life.

Our culture's adjustment to the epistemology of television is by now all but complete; we have so thoroughly accepted its definitions of truth, knowledge and reality that irrelevance seems to us to be filled with import, and incoherence seems eminently sane. And if some of our institutions seem not to fit the template of the times, why it is they and not the template, that seem to us disordered and strange.