I'd been knocking on record companies' doors for so long, and I had gone on a lot of auditions. It's weird when you go to those auditions through the Village Voice or something. You never know what to expect. You just press Floor 3 on the elevator and pray that it's not... You know, anyone can place an ad, so it's really freaky.

I was in school for jazz voice, which is the dumbest way to spend $35,000 a year. I just felt like a rip-off of good jazz singers. I didn't feel like I was being anything special, and I always wanted to be special. It's like you know you have something inside you that's gonna make you different than everybody else and make you somebody in this life, but you wish you could figure out what it is, because at most things, you're either mediocre or really, really bad.

There are so many people that do things better than I do: dancing, singing like a black girl, singing country. Or if, while they sing, they move their arms in and around their crotch; when I sing, I play the piano and look like a little choirgirl. I'd like to mix it up like that.

I'm glad I got a record contract, because all of a sudden everything you were doing before that made you a stupid person now makes you a smart person.

I kind of go for the MGM version of every musical style.

You have to reflect honestly what's around you in your music. I think a lot of people are just obsessed with their own relationships, so that is an honest reflection of what they see. A lot of people don't go much deeper than that.

In the hierarchy of instruments, if you're a harpist, you're considered someone with a brain much more than if you're a singer. Even though singers, particularly singers who can play piano... If you go to the office of career development, you can get a gig much easier. Still, musicians tend to look down on you. I think they've got some nerve, because if they could sing, they would do it, but most of them can't.