There are times when I love to play all kinds of complicated games in painting. But this is one case when I need to be fairly straightforward. I'll just try to paint the man, his intelligence, his amiability and his stature, maybe paint him fairly close to humor and try to get it just right.

A language not based on universal symbols or sensations is gibberish, a pitfall of modern art, no longer modern.

Photographs and reality are just night and day. In reality, the information is all there. A photograph is just kind of a hint.

If you find yourself with a weakness, attack it... don't develop a technique that avoids your weaknesses.

Dramatic use of color, harmonious design, the interplay of light and shadow across a variety of textures, the portrayal of the figure and other subject matter that reflects the sophistication and beauty I find in nature - all presented from a unique point of view - can only be successfully achieved with a sound command of the painter's craft... history will determine how successful I have been.

If I am using a sable, it may start off as an eight or seven, but it's a double aught by the time I'm done. I hate brights... they have no use. You might as well buy a filbert and take the scissors and cut off half of what you paid for.

It's not just a boring exercise in pushing oil paint around a canvas. It's a way of opening a threshold to an exciting new world of vision.