Life, struggle, even amidst pain and blood and poverty, seemed beautiful.

Of course it's very, very important for me to feel Kenya, to feel, every day, this is where images come from. So to be taken away from that by political pressure or other means - one is taken away from the area, which is the basis of inspiration - is difficult.

I think a repressive regime always fears people who are awakened - particularly ordinary people. If they are awakened, I think governments all over the world feel uncomfortable about that; they want to be in control. They want to be the ones telling people: "This is what we have done in history" but when people begin to say, "No this is what we have done in history" it's a different thing.

In terms of language, English is very dominant vis-Ã-vis African language. That in itself is a power relationship - between languages and communities - because the English language is a determinant of the ladder to achievement.

You get another person who operates only in an African language and there are many persons who operate only in African languages; he or she is excluded from all the goodies that come with English. And even in terms of justice, law codes, the legal system. A person who does not know English in Africa is excluded from that system because he can only operate through acts of translation.

If poverty was to be sold three cents today, i can't buy it.

Any writer likes to be near the area which is the location of his work.