Immigrants who voluntarily come to a country have already made a decision to assimilate to one degree or another. Probably not completely, but they've committed to the place, and they know that they need to make certain kinds of concessions. They change themselves in some way to fit in. They're looking forward as much as they're still looking backward.

Immigrants who come to a country are going to lose something, for sure, but they hope to gain a great deal by making this journey, whereas refugees by definition have lost a tremendous amount - not just country and society, but also more personal things like careers, prestige, status, relatives, identities. This inevitably makes the longing to remember the past even more powerful among refugees, to the point of often debilitating them.

Growing up in the U.S., I was certainly deeply aware of the power of American media, specifically Hollywood and television, in terms of broadcasting a particular vision of what the American experience was like. As someone coming from a war that was a preoccupation of Americans in the 1980s, it did strike me that since we were a part of that war, we should have a chance to talk about ourselves.

If you're a so-called minority writer, the temptation is to write for the majority... I refuse to do that.

You have to wear a different face when you're interacting with the larger culture. And you can be more of yourself at home or in the local market or in the local church speaking your own language. That was my sense growing up as a Vietnamese refugee in San Jose.

Every new refugee to a society, whether it's the United States or some other place, is subjected to fear. They are the new outsider population, the new other.

Hollywood in many ways serves as the unofficial ministry of propaganda for the United States.